Kita Pantam D Hijaz
Kita Pantam D Hijaz
Scorte ridotte: ne restano 1
Lieferbar innerhalb von 7 - 14 Werktagen.
Aktuell nicht vorrätig – Jetzt als Sonderanfertigung vorbestellen Unsere Handpans werden mit größter Sorgfalt und Präzision handgefertigt, um Dir höchste Klangqualität zu garantieren. Diese außergewöhnliche Qualität benötigt jedoch Zeit.Hier findest Du eine Übersicht der voraussichtlichen Fertigungsdauer:
• Standard-Instrumente (9-12 Noten, Grundtöne G3 bis B2): ca. 4 bis 10 Wochen
• Sonderanfertigungen mit tiefen Stimmungen (Grundton A2-E2): bis zu 3 Monate
• Bottomnote-Instrumente bis 15 Noten: bis zu 3,5 Monate
• Bottomnote-Instrumente bis 21 Noten: bis zu 4 Monate
• Bei den Herstellern Svaraa, Aya Sounds, NamiPan und Handromeda ist aufgrund hoher Nachfrage mit längeren Fertigungszeiten zu rechnen. Currently out of stock - pre-order now as a custom-made product Our handpans are handmade with the utmost care and precision to guarantee you the highest sound quality. However, this exceptional quality takes time.
Here you can find an overview of the expected production times:
•Standard instruments (9-12 notes, fundamental notes G3 to B2): approx. 4 to 10 weeks
•Custom-made items with low tunings (fundamental notes A2-E2): up to 3 months
•Bottom note instruments up to 15 notes: up to 3.5 months
•Bottom note instruments up to 21 notes: up to 4 months
•Due to high demand, longer production times can be expected for the manufacturers Svaraa, Aya Sounds, NamiPan and Handromeda.
Buy Kita D Hijaz Handpan
Kita Pantam is suitable for beginners as well as for advanced handpan players. The sophisticated sound balance makes these instruments a special playing experience. The medium-length sustain enables both fast, intense and calm melodic playing styles.
Each Kita Handpan is made with passion, dedication and perfection. All instruments are handcrafted by Nima Taghavi and his team and finished down to the smallest detail, both visually and tonally.
The sound of the Orient is in every Kita Pantam. Manufactured in Esfahan, in the heart of Iran, Kita is one of many civil projects of hope and peace in a politically troubled country. Kita is one of the first manufacturers outside Europe to become part of our Handpan.World network. These instruments not only bring a very unique and special sound spectrum, but also expand the Handpan.World vision: a worldwide, solidarity-based association of the Handpan community. We are so grateful to be able to represent the Orient and its sounds in the Handpan.World cosmos.
Personalized designs & custom-made products:
Kita Pantam is extremely creative and experienced in developing unique handpan designs. No other high-quality handpan maker has such a wide range of unusual finishes to offer. This makes it possible to fulfill special design wishes. You can personalize your Kita Handpan according to your style. We offer a wide range of fascinating designs that only the Kita team can create.
We have at least one design of every classic tuning in stock. If your desired design is not available, you can order it via the Handpan online store. As Kita has already prepared almost every tuning with nine and ten tone fields, it takes approx. 5 weeks for a custom design to be delivered to you. For special tunings - especially low scales or extended handpan instruments with many additional tone fields and bottom notes - the production time can take up to three months.
Mutant handpans, low scales and bottom notes at Kita Pantam:
Kita Pantam is one of the few handpan manufacturers in the world that can produce almost all scales and tunings - even those that are considered particularly challenging, such as mutant handpans and low scales.
Mutant handpans are those that have additional notes between the ding and the tone circle. These instruments give the player more versatility and flexibility when playing complex melodies.
Extended handpans with bottom notes are instruments with additional tone fields on the bottom. Kita pantams can have up to 20 tone fields on a handpan. You can find out which scale can be built with how many tone fields in the respective product.
Low scales can also be made with the fundamental tone of scales B2 to F2.
The process of making these special instruments is much more time-consuming and riskier than with conventional handpans. The production can therefore take up to three months and is more cost-intensive than conventional tunings.
Kita handpan made of nitrated steel:
Nitrated steel is a heat-treated steel sheet into which nitrogen has been introduced. Nitrogen hardens the material and makes it more stable and resistant to strikes and contact with the instrument. This increases the tuning stability of the handpan and the player can enjoy the instrument for longer until it needs to be retuned. Nitrated steel was first used to make the first handpan drums and was later developed further by handpan, pantam and sound sculptor makers.
Although handpans are nowadays made of both nitrated steel and stainless steel, nitrated steel, the original material of the first handpans, still seems to be in greater demand among handpan enthusiasts. This type of material offers a medium sustain range, more ceramic and clay sound and high frequencies in the notes, which makes it good for outdoor playing. In addition, notes have a clearer and separated sound, which optimizes the nitrated steel Kita pantams for faster and more professional playing.
Steel is known to be susceptible to rust and corrosion, and so are the nitrated Kita pantams. To protect them from rust, they should always be maintained with the appropriate oil/wax. You can find out the complete know-how on how to protect your pantam or handpan here:
-> Handpan care
Kita Pantam make their raw shells themselves - unlike many other makers. Using a special pressing process, they manage to press the shells evenly so that the material thickness is evenly distributed. Other shells have the problem that they are thinner towards the center than at the edge, which results in less sound stability.
How do I look after my Kita handpan properly?
Handpans made of nitrated steel require regular renewal of the protective coating on their surface. Applying a special care oil for handpans creates a patina that protects your instrument from the effects of salts, acids and moisture. This prevents rust formation and discoloration of the material and ensures that the original surface appearance is preserved for a long time. When caring for your Handpan, use a very soft microfiber cloth to avoid scratches. To ensure good care of your Handpan, we recommend one of our Handpan care oils or care sets.
Before you apply the Handpan oil, you should remove any accumulated dirt such as grease, salts and acids with a high-percentage rubbing alcohol. This will prevent the maintenance oil from mixing with substances that are harmful to the steel and having a negative effect on the material despite the supposed protective layer. Cleaning alcohol, such as isopropanol, is available from any drugstore or many supermarkets, or you can order it from the Handpan.World online store.
Neglected care can lead to flying rust and even rust formation in depth, especially with nitrated handpans. Weekly care of your Kita Handpan is therefore essential.
Important notes:
- Never store your Handpan in a bag.
- Wash your hands before every game.
- Clean and care for your Handpan every 1-2 weeks
Diameter: 53 cm
Height: 26.5cm
Weight: approx. 4kg
Material: nitrated steel
Includes special handpan care oil
Tuning name: Hijaz
Standard tone sequence: D/ A C D Eb F# G A C
Atmosphere: Exotic - Oriental - Distant
Tonal center: DING or also 1st or 2nd tone
Mode: Phrygian dominant /HMV
Tone range: Heptatonic
Semitones: - 7 - 3 - 2 - 1 - 3 - 1 - 2
from tonal center 1st tone: 1-3-1-2-3 ...
Tuning description:
The Hijaz scale takes its name from the Arabic/Turkish Maqam Hijaz. Imagine the caravan riding away in old oriental movies. That's what the Hijaz scale sounds like. This maqam is characterized by a minor second from the root note (tonal center) to the next higher note (cf. Phrygian), but this is followed by a minor third (3 semitones), which turns the third note into a major third in relation to the root note (therefore Phrygian dominant). The scale can also be explained by taking a harmonic minor scale and starting from the fifth note of the scale.
Example G minor harmonic: G - A - Bb - C - D - Eb - F# - G
Played from D results in D Hijaz :D - Eb -F# - G - A - Bb - C- D
In the handpan world there are different versions of how this scale is transferred to the handpan. One of the most common is the following:
DING is the root note (tonal center), to the first note it is a fifth, then a minor third. The third note is an octave above the DING. From here it goes in whole tone steps up to the 9th tone, which is a fifth to the 3rd tone (octave plus fifth from the DING).
In jazz, this mode is also called HMV, i.e. harmonic minor played from the Vth degree.
Hijaz is often used to lend an oriental touch. It is also played in flamenco music and in many Turkish and Arabic art and folk music styles.
A very exciting scale to explore enchanting melodies and develop some harmonic ideas. Well suited as an extension to Kurd Scale.
Possible tone sequences:
Tone sequence with 9 notes: D/ A C D D# F# G A C
Tone sequence with 10 notes: D/ A C D D# F# G A C D
Tone sequence with 11 notes: D/ (F# G) A C D D# F# G A C
Tone sequence with 12 notes: D/ (F# G) A C D D# F# G A C D
Tone sequence with 13 notes:
-Option 1 - extension into the treble: D/ A C D D# F# G A C D (F# G A)
-Option 2 - extension into the width: D/ (F# G) A C D D# F# G A C D (F#)
Tone sequence with 14 notes: D/ (F# G) A C D D# F# G A C D (F# G)
Tone sequence with 15 notes:
-Option 1 - extension into the treble: D / (F# G) A C D D# F# G A C D (F# G A)
-Option 2 - Extension to the width: D / (F# G A#) A C D D# F# G A C D (F# G)
Tone sequence with 16 notes:
-Option 1 - Extension into the treble: D / (F# G) A C D D# F# G A C D (F# G A C)
-Option 2 - Extension to the width: D / (F# G A#) A C D D# F# G A C D (F# G A)
*Bottom notes are additional tone fields on the underside of the handpan and are written in round brackets, e.g. (D E).
Mutant handpans have additional notes on the top shell in the second row - between the chorus and the root note. Mutant notes are written in curly brackets, e.g. {D E}.
→ You can read a detailed article on mutant & bottom-note handpans here: Blog post
→ Discover our full selection of mutant & bottom-note handpans here
We only list the standard layouts under "Possible tone sequences". On request, our handpans can also be made with other notes and in other arrangements. Simply send an email with your request to: service@handpan.world
Suitable tunings:
Very suitable for improvised playing together:
- G Romanian Hijaz
- G Harmonic Minor
- D Raga Desh
- C Syamalam
-
G Kurd
Also suitable for joint composition:
- A Celtic Minor / Amara
- G Sabye
- G Celtic Minor/ Amara
- G Mystic
- A Hijaz
Nima Taghavi started building handpans in 2015 and founded KitaDrums - now Kita Pantam - at the end of that year. Initially, Nima Taghavi was building 12-inch steel tongued drums while exploring the art of handpan making. As the workflow and manufacturing processes evolved, the steel tongue drums were replaced by stainless steel instruments and soon after, tongue pans (overtone tongue drums) were added to the portfolio.
At the end of 2017, Kita Pantam succeeded in building the first hand pans or pantams, as they call their instruments. Since then, the range of different instruments has been continuously expanded and improved. The team of 20 makers is now probably the highest quality manufacturer of handpans in Iran. All instruments are handmade by Nima and his team. Kita Pantam is made with passion, dedication and perfection.
We at Handpan.World are grateful for the very close cooperation and have the honor to offer these unique instruments exclusively in Europe.
Product description
Product description
Buy Kita D Hijaz Handpan
Kita Pantam is suitable for beginners as well as for advanced handpan players. The sophisticated sound balance makes these instruments a special playing experience. The medium-length sustain enables both fast, intense and calm melodic playing styles.
Each Kita Handpan is made with passion, dedication and perfection. All instruments are handcrafted by Nima Taghavi and his team and finished down to the smallest detail, both visually and tonally.
The sound of the Orient is in every Kita Pantam. Manufactured in Esfahan, in the heart of Iran, Kita is one of many civil projects of hope and peace in a politically troubled country. Kita is one of the first manufacturers outside Europe to become part of our Handpan.World network. These instruments not only bring a very unique and special sound spectrum, but also expand the Handpan.World vision: a worldwide, solidarity-based association of the Handpan community. We are so grateful to be able to represent the Orient and its sounds in the Handpan.World cosmos.
Personalized designs & custom-made products:
Kita Pantam is extremely creative and experienced in developing unique handpan designs. No other high-quality handpan maker has such a wide range of unusual finishes to offer. This makes it possible to fulfill special design wishes. You can personalize your Kita Handpan according to your style. We offer a wide range of fascinating designs that only the Kita team can create.
We have at least one design of every classic tuning in stock. If your desired design is not available, you can order it via the Handpan online store. As Kita has already prepared almost every tuning with nine and ten tone fields, it takes approx. 5 weeks for a custom design to be delivered to you. For special tunings - especially low scales or extended handpan instruments with many additional tone fields and bottom notes - the production time can take up to three months.
Mutant handpans, low scales and bottom notes at Kita Pantam:
Kita Pantam is one of the few handpan manufacturers in the world that can produce almost all scales and tunings - even those that are considered particularly challenging, such as mutant handpans and low scales.
Mutant handpans are those that have additional notes between the ding and the tone circle. These instruments give the player more versatility and flexibility when playing complex melodies.
Extended handpans with bottom notes are instruments with additional tone fields on the bottom. Kita pantams can have up to 20 tone fields on a handpan. You can find out which scale can be built with how many tone fields in the respective product.
Low scales can also be made with the fundamental tone of scales B2 to F2.
The process of making these special instruments is much more time-consuming and riskier than with conventional handpans. The production can therefore take up to three months and is more cost-intensive than conventional tunings.
Kita handpan made of nitrated steel:
Nitrated steel is a heat-treated steel sheet into which nitrogen has been introduced. Nitrogen hardens the material and makes it more stable and resistant to strikes and contact with the instrument. This increases the tuning stability of the handpan and the player can enjoy the instrument for longer until it needs to be retuned. Nitrated steel was first used to make the first handpan drums and was later developed further by handpan, pantam and sound sculptor makers.
Although handpans are nowadays made of both nitrated steel and stainless steel, nitrated steel, the original material of the first handpans, still seems to be in greater demand among handpan enthusiasts. This type of material offers a medium sustain range, more ceramic and clay sound and high frequencies in the notes, which makes it good for outdoor playing. In addition, notes have a clearer and separated sound, which optimizes the nitrated steel Kita pantams for faster and more professional playing.
Steel is known to be susceptible to rust and corrosion, and so are the nitrated Kita pantams. To protect them from rust, they should always be maintained with the appropriate oil/wax. You can find out the complete know-how on how to protect your pantam or handpan here:
-> Handpan care
Kita Pantam make their raw shells themselves - unlike many other makers. Using a special pressing process, they manage to press the shells evenly so that the material thickness is evenly distributed. Other shells have the problem that they are thinner towards the center than at the edge, which results in less sound stability.
Care instructions
Care instructions
How do I look after my Kita handpan properly?
Handpans made of nitrated steel require regular renewal of the protective coating on their surface. Applying a special care oil for handpans creates a patina that protects your instrument from the effects of salts, acids and moisture. This prevents rust formation and discoloration of the material and ensures that the original surface appearance is preserved for a long time. When caring for your Handpan, use a very soft microfiber cloth to avoid scratches. To ensure good care of your Handpan, we recommend one of our Handpan care oils or care sets.
Before you apply the Handpan oil, you should remove any accumulated dirt such as grease, salts and acids with a high-percentage rubbing alcohol. This will prevent the maintenance oil from mixing with substances that are harmful to the steel and having a negative effect on the material despite the supposed protective layer. Cleaning alcohol, such as isopropanol, is available from any drugstore or many supermarkets, or you can order it from the Handpan.World online store.
Neglected care can lead to flying rust and even rust formation in depth, especially with nitrated handpans. Weekly care of your Kita Handpan is therefore essential.
Important notes:
- Never store your Handpan in a bag.
- Wash your hands before every game.
- Clean and care for your Handpan every 1-2 weeks
Specifications
Specifications
Diameter: 53 cm
Height: 26.5cm
Weight: approx. 4kg
Material: nitrated steel
Includes special handpan care oil
About the tuning
About the tuning
Tuning name: Hijaz
Standard tone sequence: D/ A C D Eb F# G A C
Atmosphere: Exotic - Oriental - Distant
Tonal center: DING or also 1st or 2nd tone
Mode: Phrygian dominant /HMV
Tone range: Heptatonic
Semitones: - 7 - 3 - 2 - 1 - 3 - 1 - 2
from tonal center 1st tone: 1-3-1-2-3 ...
Tuning description:
The Hijaz scale takes its name from the Arabic/Turkish Maqam Hijaz. Imagine the caravan riding away in old oriental movies. That's what the Hijaz scale sounds like. This maqam is characterized by a minor second from the root note (tonal center) to the next higher note (cf. Phrygian), but this is followed by a minor third (3 semitones), which turns the third note into a major third in relation to the root note (therefore Phrygian dominant). The scale can also be explained by taking a harmonic minor scale and starting from the fifth note of the scale.
Example G minor harmonic: G - A - Bb - C - D - Eb - F# - G
Played from D results in D Hijaz :D - Eb -F# - G - A - Bb - C- D
In the handpan world there are different versions of how this scale is transferred to the handpan. One of the most common is the following:
DING is the root note (tonal center), to the first note it is a fifth, then a minor third. The third note is an octave above the DING. From here it goes in whole tone steps up to the 9th tone, which is a fifth to the 3rd tone (octave plus fifth from the DING).
In jazz, this mode is also called HMV, i.e. harmonic minor played from the Vth degree.
Hijaz is often used to lend an oriental touch. It is also played in flamenco music and in many Turkish and Arabic art and folk music styles.
A very exciting scale to explore enchanting melodies and develop some harmonic ideas. Well suited as an extension to Kurd Scale.
Possible tone sequences:
Tone sequence with 9 notes: D/ A C D D# F# G A C
Tone sequence with 10 notes: D/ A C D D# F# G A C D
Tone sequence with 11 notes: D/ (F# G) A C D D# F# G A C
Tone sequence with 12 notes: D/ (F# G) A C D D# F# G A C D
Tone sequence with 13 notes:
-Option 1 - extension into the treble: D/ A C D D# F# G A C D (F# G A)
-Option 2 - extension into the width: D/ (F# G) A C D D# F# G A C D (F#)
Tone sequence with 14 notes: D/ (F# G) A C D D# F# G A C D (F# G)
Tone sequence with 15 notes:
-Option 1 - extension into the treble: D / (F# G) A C D D# F# G A C D (F# G A)
-Option 2 - Extension to the width: D / (F# G A#) A C D D# F# G A C D (F# G)
Tone sequence with 16 notes:
-Option 1 - Extension into the treble: D / (F# G) A C D D# F# G A C D (F# G A C)
-Option 2 - Extension to the width: D / (F# G A#) A C D D# F# G A C D (F# G A)
*Bottom notes are additional tone fields on the underside of the handpan and are written in round brackets, e.g. (D E).
Mutant handpans have additional notes on the top shell in the second row - between the chorus and the root note. Mutant notes are written in curly brackets, e.g. {D E}.
→ You can read a detailed article on mutant & bottom-note handpans here: Blog post
→ Discover our full selection of mutant & bottom-note handpans here
We only list the standard layouts under "Possible tone sequences". On request, our handpans can also be made with other notes and in other arrangements. Simply send an email with your request to: service@handpan.world
Suitable tunings:
Very suitable for improvised playing together:
- G Romanian Hijaz
- G Harmonic Minor
- D Raga Desh
- C Syamalam
-
G Kurd
Also suitable for joint composition:
- A Celtic Minor / Amara
- G Sabye
- G Celtic Minor/ Amara
- G Mystic
- A Hijaz
About the manufacturer
About the manufacturer
Nima Taghavi started building handpans in 2015 and founded KitaDrums - now Kita Pantam - at the end of that year. Initially, Nima Taghavi was building 12-inch steel tongued drums while exploring the art of handpan making. As the workflow and manufacturing processes evolved, the steel tongue drums were replaced by stainless steel instruments and soon after, tongue pans (overtone tongue drums) were added to the portfolio.
At the end of 2017, Kita Pantam succeeded in building the first hand pans or pantams, as they call their instruments. Since then, the range of different instruments has been continuously expanded and improved. The team of 20 makers is now probably the highest quality manufacturer of handpans in Iran. All instruments are handmade by Nima and his team. Kita Pantam is made with passion, dedication and perfection.
We at Handpan.World are grateful for the very close cooperation and have the honor to offer these unique instruments exclusively in Europe.
Questions & answers when buying a handpan:
Collapsible row
Unsere Handpans werden in aufwendiger Handarbeit gefertigt. Auch wenn unsere Handpans in größter Sorgfalt und mit höchster Handwerkskunst gefertigt werden, können natürliche Unterschiede in der Farbe, leichte Variationen im Design sowie minimale Fertigungsspuren, wie feine Kratzer oder Unebenheiten auf den Tonfeldern und dem Klangkörper, auftreten.
Sichtbare Hammer-Spuren, die durch das präzise Stimmen des Instruments per Hand entstehen, sind charakteristische Merkmale handgefertigter Handpans. Sie zeugen von der authentischen Handwerkskunst und stellen keinen Qualitätsmangel dar. Vielmehr unterstreichen sie die Einzigartigkeit jedes Instruments.
Collapsible row
Vorbestellungen:
Du bist an einer Handpan interessiert, die wir aktuell nicht vorrätig haben. Kein Problem, wir lassen Dir Deine Wunsch-Handpan anfertigen.
Sonderanfertigungen:
Bei Handpan.World kannst du deine Handpan ganz nach deinen Vorstellungen beauftragen - sei es die Skala, das Noten-Layout oder andere individuelle Details.
Hast du eine spezielle Skala oder Noten-Layout im Sinn, das wir nicht standartmäßig anbieten? Wir lassen Dir Deine Handpan nach Deinen Vorstellungen vom Hersteller Deiner Wahl anfertigen.
Kontaktiere uns bei Sonderwünschen per E-Mail unter service@handpan.world oder telefonisch.
Unsere Handpans werden mit größter Sorgfalt und Präzision gefertigt, um höchste Klangqualität zu garantieren. Diese Qualität benötigt jedoch Zeit. Nachfolgend findest Du eine Übersicht der voraussichtlichen Fertigungsdauer Deiner Handpan:
Voraussichtliche Fertigungsdauer:
- Standard-Instrumente (9-12 Noten, Grundtöne G3 bis B2): ca. 4 bis 10 Wochen
- Sonderanfertigungen mit tiefen Stimmungen (Grundton A2-E2): bis zu 3 Monate
- Bottomnote-Instrumente bis 15 Noten: bis zu 3,5 Monate
- Bottomnote-Instrumente bis 21 Noten: bis zu 4 Monate
- Bei den Herstellern Svaraa, Aya Sounds, NamiPan und Handromeda ist mit längeren Fertigungszeiten insbesondere aufgrund des hohen Bestellaufkommens zu rechnen.
Hinweis: Die angegebenen Fertigungsdauern sind Schätzungen und stellen keine verbindlichen Liefertermine dar. Zusätzliche Faktoren wie Versandzeiten oder mögliche Zollabwicklungen können die Lieferzeit verlängern.
Die Schätzungen basieren auf unseren bisherigen Erfahrungswerten und erfolgen ohne Gewähr. Je nach Auftragslage, Verzögerungen in den Abläufen oder unvorhersehbaren Ereignissen kann die tatsächliche Fertigungsdauer variieren und sowohl kürzer als auch länger ausfallen.
Du bist jederzeit willkommen, Dich bei uns über den Fortschritt und die voraussichtlichen Lieferzeiten zu erkundigen.
Hinweis: Alle nicht vorrätigen Artikel werden auf Kundenwunsch separat angefertigt und gelten als Sonderanfertigung nach § 312 d Abs. 4 BGB .
Vorbestellungen nach Artikel L 121-20-12 Verbrauchergesetzbuch werden ausdrücklich nicht angeboten.
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Collapsible row
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