Battiloro ARGUS - 432 Hz "Healing Frequency" Handpan: D Saladin 12 | Stainless Steel

Since December 2019, from the very beginning, Battiloro has been part of the Handpan.World Maker network. At Battiloro, the journey through the musical universe began in 2007. A group of friends, musicians and percussionists discovered the potential of a fascinating new instrument: the handpan. This passion for the instrument was combined with the expertise of experienced craftsmen, and thus Battiloro was born.

The Battiloro Handpan is made in accordance with the origins of this instrument and is entirely handmade. The two phases of careful design and sound research ensure 100% Made in Italy craftsmanship. Battiloro's team is made up of highly qualified artisans who dedicate the necessary time to each individual instrument, shaping it, tuning it by ear and finishing it until it becomes an incomparable, unique piece.

Each instrument has its own unique character, like a tailor-made garment, and reflects the personality of the musician who chooses it. We therefore recommend trying the instruments in person. We welcome you and will be happy to help you choose the instrument that best suits your tastes and needs.

Mood name: Saladin
Synonym: Hijaz
Standard tone sequence: D/ GACDD# F# GACDD#
Atmosphere: Exotic - Oriental - Far
Mode: Phrygian dominant
Tone stock: Heptatonic

Semitones: 7 -3-2-1-3-1-2

Tonal Center: DING

About the Argus mood:

Like the giant of Greek mythology, Argus' surface is covered with eyelets - twelve sound surfaces capable of giving life to infinite musical compositions. Behind the total gold finish, Argus reveals its elegant and refined soul, reminiscent of an oriental atmosphere.

Mood description:

With this timeless selection of tones (Amara) you can easily conjure up sounds that are reminiscent of times gone by with pure fifths and fourths. This instrument might have found its place in spiritual ceremonies in Celtic times. Compared to the full Aeolian mode, the sixth step is missing here, which makes this tuning a little more open. You can play very beautiful harmonies, especially in the upper range. This is one of the most popular tunings in the world of handpans.

Characteristic of Amara/Celtic Minor is the jump from DING to the first note in the interval of a perfect fifth (example DA). This fifth jump immediately opens up the tonal space and gives context to the notes above it. The next note is a minor third above the fifth, which in turn is reminiscent of the natural tone series. From here there are two whole tone steps, a half tone step, two whole tone steps and the jump of the minor third to the highest note of the tuning, which results from the absence of the sixth degree (example D Celtic Minor: note Bb).

This tuning sounds particularly archaic because it allows the playability of many pure intervals (fifth, fourth, octave) that were already used in the Middle Ages.

Another special feature arises from the arrangement of the notes: In the example of D Celtic Minor, the notes on the right side form the triad of the fundamental note, in this case D minor (ADFA). On the left side, however, all the notes of the major triad are one note below the fundamental note, i.e. C major (CEGC). When playing harmoniously, the sound impression of major can easily be reproduced. It is not for nothing that this is probably the most common handpan tuning.

Suitable moods:

Very suitable for collaborative, improvisational playing:

• F Major (Parallel Tuning)
• F Sabye (parallel tuning)
• E Aeolian
• A Celtic Minor / Amara
• D Kurd
• G Ragadesh

Also good for composing together:

• B Celtic Minor / Amara
• C Aegean
• E Celtic Minor
• E Kurd
• C Celtic Minor / Amara
• C Kurd
• G Sabye