Extended<br> C# Kurd / Annaziska 12-16 Embersteel

Extended<br> C# Kurd / Annaziska 12-16 Embersteel

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In the Extended Collection we present you our extended tunings with additional tone fields on the underside of the handpan - with so-called bottom notes. The B Celtic Minor tuning is possible with 12 to 16 tone fields.
These instruments allow for greater variability in playing and a wider spectrum for composing. The extended number of tone fields creates more tone sequences (scales/moods) than the given mood.

The more pitch fields your handpan has, the more versatile you can play - but the more demanding playing the instrument becomes.

Mood designation: Kurd
Synonyms: Aeolian / Kurd with root C# = "Annaziska"
Basic tone sequence (8+1) : C#/ G# ABC# D# EF# G#
Effect : Warm - Mysterious - Dreamy
Tone Stock : Heptatonic

Mode :
Phrygian (tonal center 1st note) = major
or Aeolian (tonal center thing) = minor
Tone Stock: Heptatonic

Semitones : 7 - 1 - 2 - 2 - 2 - 3 - 2 - 2
Tonal center : DING or first tone


Mood description Kurd:

The Kurd tuning is, if you will, the natural minor variant of the handpan tuning. Due to its particularly harmonious combination of notes, it is particularly suitable for beginners. With them you can play everything from calm and meditative to melancholic to powerful and cheerful.

Even if this mood can sound very sentimental, you can create happy sound patterns with it. For example, there is a major triad on the second and third notes. Just be aware that the second and third notes played at the same time will be rubbing, you can of course also use this tension consciously to spice up your playing so that the relaxation can have a stronger effect afterwards.

This tuning is one of the first seven-note tunings that were built and has become very popular through some videos on the internet.


Tone sequence with 12 notes: C#/ (EF#) G# ABC# D# EF# G# (Bb)

Tone sequence with 13 notes: C#/ (EF#) G# ABC# D# EF# G# (BC#)

Tone sequence with 14 notes: C#/ (EF#) G# ABC# D# EF# G# (ABC#)

Tone sequence with 15 notes: C#/ (EF#) G# ABC# D# EF# G# (ABC# E)

Tone sequence with 16 notes: (As in the video): (B) C#/ (EF#) G# ABC# D# EF# G# (ABC# E)

*Notes in brackets are "Bottomnotes" (notes on the bottom of the handpan)
On request, these can also be built with other grades than specified. Simply write an email with your request to: service@handpan.world


Origin and music theory of the Kurd tuning:

Kurd adopts the name of the Arabic/Turkish maqam Kurd. This selection of tones also shares the arrangement of the tones with this maqam, assuming that the tonal center is on the first tone in the circle. This is how the full Phrygian mode is created, which is characterized by a semitone step from the root to the second tone of the scale and is responsible for the mysterious sound of the scale.


However, an ambivalence remains, as the DING is a fifth below the first tone and thus appears as a second tonal center, which allows the mode to change to Aeolian (natural minor). Depending on how you play, you can switch between natural minor and Phrygian sound character. With Kurd , everything can be played in a variety of ways, from calm and meditative to melancholic to powerful and happy.


Kurd shares with other minor variations (cf. Celtic Minor/ Integral) the jump from a fifth from DING to the first note. From this fifth degree, assuming that the tonal center is the THING, one has all the steps of a natural minor scale (Aeolian). What is special about Kurd is the semitone step between the first and second tone. This step is also present in the Maqam Kurd (Arabic or Turkish scale system) of the same name (cf. Semai Kurd), but also in the Phrygian mode. The Phrygian mode is used in jazz, psychedelic rock, flamenco and fado, but also in classical music.

Matching Moods:
Very well suited for playing together, improvisatively:

Also good for composing together:

    Product description

    In the Extended Collection we present you our extended tunings with additional tone fields on the underside of the handpan - with so-called bottom notes. The B Celtic Minor tuning is possible with 12 to 16 tone fields.
    These instruments allow for greater variability in playing and a wider spectrum for composing. The extended number of tone fields creates more tone sequences (scales/moods) than the given mood.

    The more pitch fields your handpan has, the more versatile you can play - but the more demanding playing the instrument becomes.

    About the mood:

    Mood designation: Kurd
    Synonyms: Aeolian / Kurd with root C# = "Annaziska"
    Basic tone sequence (8+1) : C#/ G# ABC# D# EF# G#
    Effect : Warm - Mysterious - Dreamy
    Tone Stock : Heptatonic

    Mode :
    Phrygian (tonal center 1st note) = major
    or Aeolian (tonal center thing) = minor
    Tone Stock: Heptatonic

    Semitones : 7 - 1 - 2 - 2 - 2 - 3 - 2 - 2
    Tonal center : DING or first tone


    Mood description Kurd:

    The Kurd tuning is, if you will, the natural minor variant of the handpan tuning. Due to its particularly harmonious combination of notes, it is particularly suitable for beginners. With them you can play everything from calm and meditative to melancholic to powerful and cheerful.

    Even if this mood can sound very sentimental, you can create happy sound patterns with it. For example, there is a major triad on the second and third notes. Just be aware that the second and third notes played at the same time will be rubbing, you can of course also use this tension consciously to spice up your playing so that the relaxation can have a stronger effect afterwards.

    This tuning is one of the first seven-note tunings that were built and has become very popular through some videos on the internet.


    Tone sequence with 12 notes: C#/ (EF#) G# ABC# D# EF# G# (Bb)

    Tone sequence with 13 notes: C#/ (EF#) G# ABC# D# EF# G# (BC#)

    Tone sequence with 14 notes: C#/ (EF#) G# ABC# D# EF# G# (ABC#)

    Tone sequence with 15 notes: C#/ (EF#) G# ABC# D# EF# G# (ABC# E)

    Tone sequence with 16 notes: (As in the video): (B) C#/ (EF#) G# ABC# D# EF# G# (ABC# E)

    *Notes in brackets are "Bottomnotes" (notes on the bottom of the handpan)
    On request, these can also be built with other grades than specified. Simply write an email with your request to: service@handpan.world


    Origin and music theory of the Kurd tuning:

    Kurd adopts the name of the Arabic/Turkish maqam Kurd. This selection of tones also shares the arrangement of the tones with this maqam, assuming that the tonal center is on the first tone in the circle. This is how the full Phrygian mode is created, which is characterized by a semitone step from the root to the second tone of the scale and is responsible for the mysterious sound of the scale.


    However, an ambivalence remains, as the DING is a fifth below the first tone and thus appears as a second tonal center, which allows the mode to change to Aeolian (natural minor). Depending on how you play, you can switch between natural minor and Phrygian sound character. With Kurd , everything can be played in a variety of ways, from calm and meditative to melancholic to powerful and happy.


    Kurd shares with other minor variations (cf. Celtic Minor/ Integral) the jump from a fifth from DING to the first note. From this fifth degree, assuming that the tonal center is the THING, one has all the steps of a natural minor scale (Aeolian). What is special about Kurd is the semitone step between the first and second tone. This step is also present in the Maqam Kurd (Arabic or Turkish scale system) of the same name (cf. Semai Kurd), but also in the Phrygian mode. The Phrygian mode is used in jazz, psychedelic rock, flamenco and fado, but also in classical music.

    Matching Moods:
    Very well suited for playing together, improvisatively:

    Also good for composing together:

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