Battiloro SHEDAR - 432 Hz "Healing Frequency" Handpan: D Kurd 13 | Stainless Steel

These instruments are tuned to the 432 Hz frequency, which comes from Hindu and Buddhist traditions. Compared to the western world, 432 Hz tuning is the standard instead of 440 Hz.
It is believed that it stimulates our chakras, the life energy centers, in a special way and thereby promotes spiritual awakening. Healing Frequency Handpans are instruments with a particularly long resonance that we recommend for meditative experiences and sound journeys. The Healing Frequency series also has its own character. These instruments are characterized by their special metallic design and a fine timbre.
Handcrafted in Italy, the Healing Frequency impresses with its striking appearance. The tones sound extremely clean and with a subtlety that is also reflected in the haptic feeling when touching the surface. All in all, an all-round noble handpan.

Mood name : Kurd
Synonyms : Aeolian / with root note C# = Annaziska
Basic tone sequence (8+1): D/ A Bb CDEFGA
Effect : Warm - Mysterious - Dreamy
Tone supply: Heptatonic

Mode :
Phrygian (tonal center 1st note) = major, or
Aeolian (tonal center: thing) = minor

Semitones: 7 - 1 - 2 - 2 - 2 - 3 - 2 - 2
Tonal center: DING or first tone

Mood description:

The Kurd tuning is, if you will, the natural minor variant of the handpan tunings. Due to its particularly harmonious composition of notes, it is particularly suitable for beginners. With them you can play everything from calm and meditative to melancholic to powerful and happy.

Even though this mood can sound very sentimental, it can certainly create happy sound images. For example, the second and third notes produce a triad in major. Just be aware that the second and third notes are played at the same time. You can of course also use this tension consciously to spice up your playing and make the relaxation have a stronger effect afterwards. 

This tuning is one of the first seven-tone tunings to be built and has become very well known through some videos on the Internet.

Origin and music theory of the Kurd mood:

Kurd takes the name of the Arabic/Turkish Maqam Kurd. This tone selection also shares the arrangement of the tones with this Maqam if one assumes that the tonal center is on the first tone in the circle. This creates the complete Phrygian mode, which is characterized by a semitone step from the fundamental to the second tone of the scale and is responsible for the mysterious sound of the scale.

However, there remains an ambivalence, since the DING is a fifth below the first tone and thus appears like a second tonal center, which allows the mode to change to Aeolian (natural minor). Depending on how you play, you can switch between natural minor and Phrygian sound characteristics. With Kurd you can play anything from calm and meditative to melancholic to powerful and happy.

Kurd shares with other minor variations (cf. Celtic Minor/Integral) the jump from a fifth from the DING to the first tone. From this fifth level, assuming that the tonal center is the THING, one has all the tonal steps of a natural minor scale (Aeolian). What is special about Kurd is the half-tone step (semitone) between the first and second tone. This step is also present in the Maqam Kurd (Arabic or Turkish scale system) of the same name (see Semai Kurd), but also in the Phrygian mode. The Phrygian mode is used in jazz, psychedelic rock, flamenco and fado but also in classical music. 

Matching moods:
Very suitable for improvisational playing together:

• F Sabye (parallel key)
• F Major (parallel key)
• D Celtic Minor / Amara
• G Celtic Minor / Amara
• D Aeolian
• Bb Aegean
• D Equinox
• DMagic Voyage
• D integral
• D Pygmy

Also suitable for composing together:

• A Celtic Minor / Amara
• A Hijaz
• C Kurd
• C Celtic Minor / Amara
• F Ragadesh