Nala Handpan D Kurd from Embersteel 10 / 432 Hz

Nala Handpan D Kurd from Embersteel 10 / 432 Hz

Ein Handpan-Spieler spielt einen wunderschön gearbeiteten Nala D Kurd Handpan, während er über einem kunstvoll verzierten Teppich sitzt. Das Licht schimmert auf dem Handpan, während sich der Raum mit Musik füllt.
Regular price €3.016,81
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This is "Nala": expand your musical horizons.
Experience the harmonious fusion of craft and art with "Nala" handpans, carefully handcrafted in a small workshop in the heart of Bucharest, Romania. Born out of a passion for making exquisite musical instruments, "Nala" is an emerging player in the handpan scene, delighting musicians and enthusiasts alike with its outstanding quality and depth.
Each "Nala" handpan tells a story, it has a voice waiting to be unleashed. Nala's artisans pour their heart and soul into each instrument to ensure that each "Nala" becomes an extension of your musical expression. They tune the pans with utmost precision and attention to detail, ensuring a sublime playing experience that inspires creativity and transports you to a world of stirring melodies.
With a deep understanding of metallurgical properties and acoustic principles, Nala carefully selects the finest steel materials and applies advanced manufacturing processes to create instruments that resonate with brilliance and clarity. The result is a harmonious blend of rich tones and enchanting overtones that set the "Nala" handpans apart from others.


Diameter: 53 cm
Height: 25cm
Weight: approx. 4kg
Material: Embersteel

Mood description : Kurd
Basic note sequence (8+1): D/ A Bb CDEFGA
Effect : Warm - Mysterious - Dreamy
Tone stock: Heptatonic
Mode : Phrygian (tonal center 1st note) = major or Aeolian (tonal center: B) = minor
Tonal center: DING or first tone
Semitones: 7 - 1 - 2 - 2 - 2- 3 - 2 - 2

Mood description Kurd:
The Kurd tuning is, if you will, the natural minor variant of the handpan tunings. Due to its particularly harmonious composition of notes, it is particularly suitable for beginners. With it, you can play everything from calm and meditative to melancholic to powerful and cheerful, with a wide variety of styles.

Even though this mood can sound very sentimental, you can create cheerful sounds with it. For example, the second and third notes each produce a major triad. Just be aware that the second and third notes will be played at the same time. You can of course also consciously use this tension to spice up your playing and make the relaxation more effective afterwards.

This tuning is one of the first seven-tone tunings that were built and has become very popular through some videos on the Internet.

Origin and music theory of the Kurdish tuning:

Kurd takes the name of the Arabic/Turkish maqam Kurd. This selection of tones also shares the arrangement of the tones with this maqam if one assumes that the tonal center is on the first tone in the circle. This creates the complete Phrygian mode, which is characterized by a semitone step (semitone) from the root note to the second note of the scale and is responsible for the mysterious sound of the scale.

However, there is still an ambivalence, as the DING is a fifth below the first note and thus acts like a second tonal center, which causes the mode to change to Aeolian (natural minor). Depending on the playing style, you can switch between natural minor and Phrygian sound character. With Kurd you can play everything from calm and meditative to melancholic to powerful and cheerful, with a wide variety of styles.

Kurd shares with other minor variations (cf. Celtic Minor/ Integral) the jump of a fifth from the DING to the first tone. From this fifth step, assuming that the tonal center is the DING, one has all the tonal steps of a natural minor scale (Aeolian). A special feature of Kurd is the semitone step (semitone) between the first and second tone. This step is also present in the Maqam Kurd (Arabic or Turkish scale system) of the same name (cf. Semai Kurd), but also in the Phrygian mode. The Phrygian mode is used in jazz, psychedelic rock, flamenco and fado, but also in classical music.

Possible tone sequences:

Basic tone sequence with 9 notes: D/ A Bb CDEFGA
Sequence of 10 notes: (as in the video) D/ A Bb CDEFGAC

Sequence of 11 notes:

Option 1: D/ (FG) A Bb CDEFGA
Option 2: D/A bB CDEFGAC (D)

Sequence of 12 notes:

Option 1: D/ (FG) A Bb CDEFGAC
Option 2: D/A bB CDEFGAC (DE)
Mutant: D/A bB CDEFGAC {DE}

Sequence with 13 notes:
Option 1: D/(FG)A bB CDEFGAC (D)
Option 2: D/A bB CDEFGAC (DEF)
Mutant: D/A bB CDEFGAC {DEF}

Sequence of 14 notes:
Option 1: D/(FG)A bB CDEFGAC (DE)
Option 2: D/ A Bb CDEFGAC (DEFG)
Mutant: D/ A Bb CDEFGAC {DEF} (G)

Sequence of 15 notes:
Option 1: D/(FG)A bB CDEFGAC (DEF)
Mutant: D/(FG)A bB CDEFGAC {DEF}

Sequence of 16 notes:
Option 1: D/(FG)A bB CDEFGAC (DEFG)
Option 2: D/(EFG)A bB CDEFGAC (DEF)
Mutant: D/(EFG)A bB CDEFGAC {DEF}

Sequence with 17 notes:
Option 1: D/( EFG ) A Bb CDEFGAC(DEFG)
Option 2: D/(FG) A Bb CDEFGAC (DEFGA)
Mutant: D/(EFG)A bB CDEFGAC {DEF} (G)

*Notes in brackets are "bottom notes" (notes on the bottom shell of the handpan)
On request, these can also be built with other notes than those specified. Simply write an email with your request to: service@handpan.world

** Notes in curly brackets { } are installed in a second row on the top of the handpan

Suitable moods:
Very suitable for collaborative, improvisational playing:

Also good for composing together:

Product description

This is "Nala": expand your musical horizons.
Experience the harmonious fusion of craft and art with "Nala" handpans, carefully handcrafted in a small workshop in the heart of Bucharest, Romania. Born out of a passion for making exquisite musical instruments, "Nala" is an emerging player in the handpan scene, delighting musicians and enthusiasts alike with its outstanding quality and depth.
Each "Nala" handpan tells a story, it has a voice waiting to be unleashed. Nala's artisans pour their heart and soul into each instrument to ensure that each "Nala" becomes an extension of your musical expression. They tune the pans with utmost precision and attention to detail, ensuring a sublime playing experience that inspires creativity and transports you to a world of stirring melodies.
With a deep understanding of metallurgical properties and acoustic principles, Nala carefully selects the finest steel materials and applies advanced manufacturing processes to create instruments that resonate with brilliance and clarity. The result is a harmonious blend of rich tones and enchanting overtones that set the "Nala" handpans apart from others.

Specifications


Diameter: 53 cm
Height: 25cm
Weight: approx. 4kg
Material: Embersteel

About the mood

Mood description : Kurd
Basic note sequence (8+1): D/ A Bb CDEFGA
Effect : Warm - Mysterious - Dreamy
Tone stock: Heptatonic
Mode : Phrygian (tonal center 1st note) = major or Aeolian (tonal center: B) = minor
Tonal center: DING or first tone
Semitones: 7 - 1 - 2 - 2 - 2- 3 - 2 - 2

Mood description Kurd:
The Kurd tuning is, if you will, the natural minor variant of the handpan tunings. Due to its particularly harmonious composition of notes, it is particularly suitable for beginners. With it, you can play everything from calm and meditative to melancholic to powerful and cheerful, with a wide variety of styles.

Even though this mood can sound very sentimental, you can create cheerful sounds with it. For example, the second and third notes each produce a major triad. Just be aware that the second and third notes will be played at the same time. You can of course also consciously use this tension to spice up your playing and make the relaxation more effective afterwards.

This tuning is one of the first seven-tone tunings that were built and has become very popular through some videos on the Internet.

Origin and music theory of the Kurdish tuning:

Kurd takes the name of the Arabic/Turkish maqam Kurd. This selection of tones also shares the arrangement of the tones with this maqam if one assumes that the tonal center is on the first tone in the circle. This creates the complete Phrygian mode, which is characterized by a semitone step (semitone) from the root note to the second note of the scale and is responsible for the mysterious sound of the scale.

However, there is still an ambivalence, as the DING is a fifth below the first note and thus acts like a second tonal center, which causes the mode to change to Aeolian (natural minor). Depending on the playing style, you can switch between natural minor and Phrygian sound character. With Kurd you can play everything from calm and meditative to melancholic to powerful and cheerful, with a wide variety of styles.

Kurd shares with other minor variations (cf. Celtic Minor/ Integral) the jump of a fifth from the DING to the first tone. From this fifth step, assuming that the tonal center is the DING, one has all the tonal steps of a natural minor scale (Aeolian). A special feature of Kurd is the semitone step (semitone) between the first and second tone. This step is also present in the Maqam Kurd (Arabic or Turkish scale system) of the same name (cf. Semai Kurd), but also in the Phrygian mode. The Phrygian mode is used in jazz, psychedelic rock, flamenco and fado, but also in classical music.

Possible tone sequences:

Basic tone sequence with 9 notes: D/ A Bb CDEFGA
Sequence of 10 notes: (as in the video) D/ A Bb CDEFGAC

Sequence of 11 notes:

Option 1: D/ (FG) A Bb CDEFGA
Option 2: D/A bB CDEFGAC (D)

Sequence of 12 notes:

Option 1: D/ (FG) A Bb CDEFGAC
Option 2: D/A bB CDEFGAC (DE)
Mutant: D/A bB CDEFGAC {DE}

Sequence with 13 notes:
Option 1: D/(FG)A bB CDEFGAC (D)
Option 2: D/A bB CDEFGAC (DEF)
Mutant: D/A bB CDEFGAC {DEF}

Sequence of 14 notes:
Option 1: D/(FG)A bB CDEFGAC (DE)
Option 2: D/ A Bb CDEFGAC (DEFG)
Mutant: D/ A Bb CDEFGAC {DEF} (G)

Sequence of 15 notes:
Option 1: D/(FG)A bB CDEFGAC (DEF)
Mutant: D/(FG)A bB CDEFGAC {DEF}

Sequence of 16 notes:
Option 1: D/(FG)A bB CDEFGAC (DEFG)
Option 2: D/(EFG)A bB CDEFGAC (DEF)
Mutant: D/(EFG)A bB CDEFGAC {DEF}

Sequence with 17 notes:
Option 1: D/( EFG ) A Bb CDEFGAC(DEFG)
Option 2: D/(FG) A Bb CDEFGAC (DEFGA)
Mutant: D/(EFG)A bB CDEFGAC {DEF} (G)

*Notes in brackets are "bottom notes" (notes on the bottom shell of the handpan)
On request, these can also be built with other notes than those specified. Simply write an email with your request to: service@handpan.world

** Notes in curly brackets { } are installed in a second row on the top of the handpan

Suitable moods:
Very suitable for collaborative, improvisational playing:

Also good for composing together:

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Questions & answers when buying a handpan:

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Unsere Handpans werden in aufwendiger Handarbeit gefertigt. Auch wenn unsere Handpans in größter Sorgfalt und mit höchster Handwerkskunst gefertigt werden, können natürliche Unterschiede in der Farbe, leichte Variationen im Design sowie minimale Fertigungsspuren, wie feine Kratzer oder Unebenheiten auf den Tonfeldern und dem Klangkörper, auftreten.

Sichtbare Hammer-Spuren, die durch das präzise Stimmen des Instruments per Hand entstehen, sind charakteristische Merkmale handgefertigter Handpans. Sie zeugen von der authentischen Handwerkskunst und stellen keinen Qualitätsmangel dar. Vielmehr unterstreichen sie die Einzigartigkeit jedes Instruments.

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Vorbestellungen:
Du bist an einer Handpan interessiert, die wir aktuell nicht vorrätig haben. Kein Problem, wir lassen Dir Deine Wunsch-Handpan anfertigen.

Sonderanfertigungen:

Bei Handpan.World kannst du deine Handpan ganz nach deinen Vorstellungen beauftragen - sei es die Skala, das Noten-Layout oder andere individuelle Details.

Hast du eine spezielle Skala oder Noten-Layout im Sinn, das wir nicht standartmäßig anbieten? Wir lassen Dir Deine Handpan nach Deinen Vorstellungen vom Hersteller Deiner Wahl anfertigen.

Kontaktiere uns bei Sonderwünschen per E-Mail unter service@handpan.world oder telefonisch.

Unsere Handpans werden mit größter Sorgfalt und Präzision gefertigt, um höchste Klangqualität zu garantieren. Diese Qualität benötigt jedoch Zeit. Nachfolgend findest Du eine Übersicht der voraussichtlichen Fertigungsdauer Deiner Handpan:

Voraussichtliche Fertigungsdauer:

  • Standard-Instrumente (9-12 Noten, Grundtöne G3 bis B2): ca. 4 bis 10 Wochen
  • Sonderanfertigungen mit tiefen Stimmungen (Grundton A2-E2): bis zu 3 Monate
  • Bottomnote-Instrumente bis 15 Noten: bis zu 3,5 Monate
  • Bottomnote-Instrumente bis 21 Noten: bis zu 4 Monate
  • Bei den Herstellern Svaraa, Aya Sounds, NamiPan und Handromeda ist mit längeren Fertigungszeiten insbesondere aufgrund des hohen Bestellaufkommens zu rechnen.

Hinweis: Die angegebenen Fertigungsdauern sind Schätzungen und stellen keine verbindlichen Liefertermine dar. Zusätzliche Faktoren wie Versandzeiten oder mögliche Zollabwicklungen können die Lieferzeit verlängern.

Die Schätzungen basieren auf unseren bisherigen Erfahrungswerten und erfolgen ohne Gewähr. Je nach Auftragslage, Verzögerungen in den Abläufen oder unvorhersehbaren Ereignissen kann die tatsächliche Fertigungsdauer variieren und sowohl kürzer als auch länger ausfallen.

Du bist jederzeit willkommen, Dich bei uns über den Fortschritt und die voraussichtlichen Lieferzeiten zu erkundigen.

Hinweis: Alle nicht vorrätigen Artikel werden auf Kundenwunsch separat angefertigt und gelten als Sonderanfertigung  nach § 312 d Abs. 4 BGB .

Vorbestellungen nach Artikel L 121-20-12 Verbrauchergesetzbuch werden ausdrücklich nicht angeboten.

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